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• SAMPLE BOOK PAGE • ![]() Grand Central Terminal, New York, NY
C
ommuter trains destined for America's greatest city are aimed at Grand
Central Terminal, built 1903-1913 in the heart of Manhattan. As they
near their destination, the trains dive into a two-and-a-half-mile
tunnel that burrows beneath the glitter and swank of Park Avenue. From
50th Street south, the railroad tracks fan out onto two underground
levels that stretch from Madison Avenue to the west and Lexington
Avenue to the east. Above all this, skyscrapers hide the presence of
the vast railroad yard beneath them. This ingenious design that permits
two levels of arrivals and is invisible from Manhattan streets was the
work of the architectural engineering firm, Reed & Stem, with
William J. Wilgus, chief of construction for New York Central Railroad,
being the brilliant railroad engineer who worked out the clever plan
using ramps instead of stairs and spreading 70 underground railroad
tracks far beyond the terminal building's footprint. Above ground,
Grand Central Terminal is equally impressive. The terminal building was
designed by Warren & Wetmore with the principal architect being
Whitney Warren. It is a Beaux-Arts extravaganza with three huge Roman
arches on the façade, as if announcing a grand entrance to an ancient
walled city. A series of double columns frame the archways. Above the
central arch is an elaborately embellished clock that is surrounded by
sculptures of three classical figures. The sculptural group was created
by Jules-Alexis Coutane and includes Mercury, representing speed, on
top; Hercules on the left and Minerva on the right, symbolizing
strength and contemplation, all attributes claimed by New York Central
Railroad, builders of Grand Central. The barrel-vaulted ceiling in the
grand concourse (275 feet long, 120 feet wide, and 125 feet high) is a
mural depicting the night sky with its constellations. The electrified
stars twinkle 24 hours a day. |
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